![]() ![]() With his first entry in 1976 (Annakili), he ruled industry. With some of my extended family members being prominent in carnatic music, off the cuff, I can say that these days making music has ended up parcel simpler with innovation. ![]() While a number of the current writers even before an intersection of a scoop of movies, need to depend on replicating from different sources to keep up their stand. In days, when technology was at its infancy, he simply churned out more than 55 films/year and ruled the industry single highhandedly for decades. There are 2 categories - truly born genius and many others improve with bit of a talent. His work ethics is amazing even at this age. When Raja is around, everybody is so disciplined and respectful. My heart hollered! also I controlled my tears of bliss. ![]() Raja would say - cut it, put it here - something like that to match the sequence of the movie displayed on the giant screen in Prasad studios. Chandrasekar was managing the computers nearby. Raja watched the clip for few minutes, and right away plugged in some keys in the keyboard while Mr. Off the bat, I can think of a movie (sorry trying to be discreet) - BGM recording. He also just kicks out tunes just right there. Chandrasekar would conduct and get it to ok level, then Raja comes in to hear. Some of the times, when I visited, he was writing notes and others as usual copied standing right behind him. On this morning's drive, I was wondering if he writes sheet music for every piece of orchestra, or he just hums the tune with his harmonium for the orchestra player to pick and run? ![]()
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